‎Juditha triumphans, composed to celebrate the victory of the Republic of Venice ‎over the Turks during the Siege of Corfu (resulting from the defeat of the Ottoman Army by ‎Austrian troops in the Battle of Petrovaradin on 5 August 1716), represents the peak of ‎Antonio Vivaldi’s vocal music oeuvre. Vivaldi heightens attention to the work's most significant moments through the use of a series of changing instrumental obbligati. Lara Vilà (ed. Das latainische Libretto stammt von Iacopo Cassetti und greift die bekannte biblische Geschichte von Judith und Holofernes auf. 3, No. Movement 1. They too were less ambitious works than this one. The story of Juditha Triumphanscomes from the apocryphal Book of Judith, chronicling the Assyrian siege of the Jewish city of Bethulia. Unlike the majority of oratorios, “Juditha Triumphans” does not feature a narrator, instead the drama unfolds through the actions of the characters, and thus has a similar dramatic structure and dynamic to an opera. The Venetians probably anticipated an Advent performance when the libretto was published, but since the civic year was not advanced until March 1, our dating of January 3, 1717 fell within their year 1716. Vivaldi: Juditha Triumphans, RV644. ‘This oratorio is one of the highlights of the baroque age or even all of musical history,’ says director Floris Visser. Judith sang only twice. The number of parts for Juditha triumpans is extensive. Vivaldi heightens attention to the work's most significant moments through the use of a series of changing instrumental obbligati. Hyperion: CDA67281/2. After some reluctance at first, Judith follows him to his residence. Ann Murray, Maria Cristina Kiehr, Susan Bickley, Sarah Connolly, Jean Rigby King's Consort, Robert King Listen to Vidaldi: Juditha Triumphans, RV 644 by Jordi Savall on Deezer. Distinguished Baroque and Vivaldi specialist Andrea Marcon conducts his own early music ensemble, La Cetra Barockorchester Basel. Vivaldi introduces two chalumeaux to underscore the now subdued Turkish threat. Larghetto, Juditha Triumphans, RV 644, pars prior: Chœur … Juditha is the only oratorio by Vivaldi that survives, but written evidence documents a long history for the genre in Venice's four orphanage-conservatories (ospedali). Cor dels judeans: Salve, invicta Juditha, formosa La durada aproximada de les parts serà de 70 minuts cadascuna. "Juditha triumphans devicta Holofernis barbarie", kurz "Juditha triumphans", ein Oratorium von Antonio Vivaldi. The Venetians had lost the island of Crete at the end of the 21-year-long War of Candia (Heraclion) in 1669. Holofernes dominanted the work, opening it with a vehement denunciation of Jews. The great beauty of its arias and choral parts, the compact dramatic quality of its recitatives and the richness of instrumentation all single it out as one of the most intense and fascinating examples of the genre. Juditha Triumphansis being recorded live for CD release by ABC Classics, and is being broadcast live on ABC Classic FM on Monday 10 December. Vivaldi - Juditha Triumphans - Jordi Savall (2019) La Capella Reial De Catalunya, Le Concert Des Nations, Marina De Liso, Marianne Beate Kielland, Kristin Mulders, Rachel Redmond, Lucía Martín-Cartón - Vivaldi - Juditha Triumphans - Jordi Savall Hier Partien: Flora (La traviata), Ozias (Juditha triumphans), Linetta (Die Liebe zu drei Orangen), Marta/Pantalis (Mefistofele) und Emmeline (Artus). The name La Certa refers to an ancient lute-like instrument, and was the title of a set of twelve violin concertos by Antonio Vivaldi first published in Amsterdam in 1727 and dedicated Charles VI, Holy Roman Emperor. Yet Juditha triumphans is full of tender, affective writing. Juditha Triumphans devicta Holofernes barbarie (RV 644) is the only one of Vivaldi's four cantatas to survive. LaBelle could sing ASCII code and still make you weak in the knees. Alessandro de Marchi has departed from other recent interpreters by daring to transpose the tenor and bass choral parts up an octave, as is widely believed was done by Vivaldi himself to accommodate the choir of the Ospedale della Pietà. 9, RV 230: II. ... OZIAS Renae Martin began voice studies at the West Australian Conservatorium of Music and completed a Bachelor of Music degree in 1999 at the University of Western Australia. Basel: Theater Basel – Grosse Bühne – Ballett Basel „Juditha Triumphans“ - Vorstellung vom 04.05. Among oratorios survived only by anonymous texts, a shorter, simpler La Giuditta was given in 1713 at the no longer extant church of San Leonardo, Padua, in 1713 under the auspices of Laura d'Este, a member of the congregation of the Santissima Annonziata. Juditha Triumphans RV 644 Devicta Holofernis barbarie Sacrum Militare Oratorium Libretto: Cav. Die in Wales geborene Altistin Hilary Summers hat einen herausragenden Namen als Barockinterpretin. The Venetians had lost the island of Crete at the end of the 21-year-long War of Candia (Heraclion) in 1669. Magdalena Kozena, mezzo-soprano, Juditha Maria José Trullu, contralto, Holofernes Marina Comparato, soprano, Vagaus Anke Herrman, mezzo-soprano, Abra Tiziana Carraro, mezzo-soprano, Ozias Academia Montis Regalis Chamber Choir of the National Academy of Santa Cecilia. She first lures him to her tent, then withstands his advances long enough to ply him with drink (early in Part Two of the oratorio), and then beheads him (an event that was the subject of countless depictions in the arts of the time). This page was last edited on 26 September 2020, at 04:15. The head priest Ozias and the head eunuch Vagaus serve their masters in conventional but musically persuasive ways. This performance is no longer viewable as video-on-demand for rights reasons but other material about the production is still available. The great beauty of its arias and choral parts, the compact dramatic quality of its recitatives and the richness of instrumentation all single it out as one of the most intense and fascinating examples of the genre. 1692), Barbara, and Giulia. Dennis Shrock. Courage triumphs in this allegorical oratorio. Juditha triumphans devicta Holofernes barbarie, RV 644: Pars I. Judith reflects in response on the rapid passage of time (“Transit aetas”). A renewed sense of vigilance, if not militancy, returns as the Bethulians are summoned in Vagaus’s aria “Armatae face et anguibus,” a “rage” piece calling forth images of snakes, “squalid savages”, and violent death. Juditha Triumphanswas commissioned by and first performed at the Ospedale della Pietà in Venice in November 1716. The edition has subsequently been revised and corrected for use by Philharmonia Baroque (2014). Holofernes' demise is implied, as if in a Greek tragedy, by the chorus that sings “Plena nectare non mero” (“Full of pure nectar”). Check out Juditha triumphans, RV 644: Summi Regis - O Sydera, o stellae (Ozias) by Orchestra della Scuola veneziana, Angelo Ephrikian, Giuliano Ferrein on Amazon Music. Its obbligato for viola d’amore, a bowed instrument with six regular and six sympathetic strings. Abra is a fictional "nurse" who demurely follows the widowed Bethulian queen Judith on her murderous mission. ‘I like to be outside my comfort zone,’ she says, which has led her to singing a varied repertoire of titles including Xerxes, Carmen, Pelléas et Mélisande and Norma. Jacopo Cassetti Venezia, 1716 Modo Antiquo Strumenti Originali / Historical Instruments Barbara Di Castri, Juditha Lucia Sciannimanico, Holofernes Nicki Kennedy, Vagaus Alessandra Rossi, Abra Rowena Anketell, Ozias Coro da Camera Italiano Holofernes opens the dialogue with his aria "Nil arma, nil bella" ("No arms, no war"). From the album "Vidaldi: Juditha Triumphans, RV 644" by Kristin Mulders on Napster It was the usual practice of the Venetian ospedali to present oratorios on the Sunday afternoons of Advent and Lent (the penitential seasons preceding Christmas and Easter). The number of ripieno string players varied with circumstances. June 26, 2007 5.0 out of 5 stars 2 ratings. ), Estudios sobre la tradición épica occidental (Edad Media y Renacimiento). Giacomo Cassetti derived the tale from the Apocrypha. Juditha Triumphans. Magdalena Kozena, mezzo-soprano, Juditha Maria José Trullu, contralto, Holofernes Marina Comparato, soprano, Vagaus Anke Herrman, mezzo-soprano, Abra Tiziana Carraro, mezzo-soprano, Ozias Academia Montis Regalis Chamber Choir of the National Academy of Santa Cecilia. Genaux could do the same, all the while convincing you that … The oratorio Juditha triumphans marks the climax of Vivaldi’s vocal production. Recitativo “Nox in umbra dum surgit” (Holofernes) (2000-10) (track 16) Juditha triumphans devicta Holofernes barbarie, RV 644: Pars II. Buy 2 CDs or download online. Andrea Marcon has been chief conductor since 2009, and under his direction the orchestra has become one of the leading ensembles in historically informed performance practice. He promises to keep the peace in exchange for her love. Vivaldi's only surviving oratorio, Juditha triumphans (1716), with its strongly characterised roles and luxuriant orchestration, is a true Baroque masterpiece. With music streaming on Deezer you can discover more than 56 million tracks, create your … While in its reliance on core strings (violins, violas, cellos) Juditha triumphans is straightfoward in its instrumental requirements, the obbligati extend to unusual bowed strings (viola d'amore), plucked strings (mandolin, four theorboes), and woodwinds. Recitatiu (Ozias): Summi Regis in mente ... estrenat a l’Ospedale della Pietà titulat Juditha triumphans devicta Holofernis barbarie: una veritable obra mestra del Barroc i una peça de l’agenda política de la República, magníficament dissenyada per impressionar l’auditori. Choral Repertoire. Wegen ihres großen Stimmumfangs hat sie auch die Aufmerksamkeit zeitgenössischer Komponisten auf sich gezogen. Fretted bowed strings: 2015 Triumph Juditha – das ist die jüdische Witwe, welche sich zum Schein mit dem assyrischen General Holofernes einlässt und dadurch versucht, die Eroberung ihrer Stadt Bethulien durch die Assyrer abzuwenden. 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