That’s unpossible!”). Our list of 100 probably gives Marge the shortest shrift, but in this episode, we encounter her neuroses head-on. One was plenty.”), “Any Given Sundance” may bear a resemblance to season six’s A Star Is Burns, but it focuses much more on Lisa’s vision and her negative perception of her parents and brother. The episode’s ending is one of the series’ most poignant moments ever. The rest soon join. “What’s the difference between this lamb and the one that kissed me?” Lisa asks her family, pushing her dinner plate away. That’s what makes this a somewhat controversial episode — it has a different tone than any one before it, and none have come close to touching its super-dark humor since. He is often drunk, he drives drunk, he does lots of things drunk. He can live in a single room above a bowling alley and below another bowling alley without going insane, but the minute he meets Homer, he crumbles like an abandoned factory, partially out of jealousy, but mostly because he can’t understand why one man can have such a charmed life without even trying. Nelson declares Bart his best friend after Bart is the only child to turn up for his birthday party. Or so he thinks: Homer’s actually just a roadie, but once he sees his family cheering for him in the audience, he starts acting like a headliner. The heart, the satire, the absurdity, the one-liners: It all feels special in the way that the best episodes of The Simpsons feel like something beyond just a great episode of television. It feels a little tame now, so advanced are the animation graphics of today, but there’s something wonderfully bizarre about the episode’s kicker, which involves erotic cakes. Things start off well enough, but the Simpsons gene eventually kicks in, and Bart and Homer are arrested for various indiscretions, and a gang of Itchy and Scratchy robots are ready to kill. It’s one of the best jokes The Simpsons has done in its last decade. Bart and Nelson become unlikely best friends after Bart is the only kid who attends Nelson’s birthday party (complete with a fake Spider-Man and Doctor Octopus). Things come to a head on a field trip when the boys are trapped in a flooded cave- before reverting to normal. What follows is an impassioned speech from Homer about piracy and how, to quote Lisa, everyone is “trying to steal as much money as they can.” “Steal This Episode” never takes a side in the pirates-versus-producers war — it doesn’t have to. If it were, I’d kill everyone who looked at me cockeyed!”, Homer’s physical resemblance to Krusty (bald head, dumpling body) gets turned to the Simpsons’ advantage when he attends Krusty’s clown college and gets work as a Krusty impersonator (or “Krustacean”). Bart and Lisa investigate and learn that Krusty’s dad, Rabbi Hyman Krustofsky, didn’t want to perform the ceremony because he was afraid Krusty (a.k.a. As much as Inauguration Day hinted at the apparent end of a painful era, The 30 Best Action Movies on Hulu Right Now. Personally, one of the bigger gripes about that episode was the fact that Matt Groening was still bitter about that episode (and presumably is, as of 2021), yet refused to do a commentary or a rebuttal on that episode for the Season 6 DVD set, so the commentary for said episode ended up being a total wankfest for The Critic, with no mention whatsoever of how … Cherish your youth, “Bart on the Road” brilliantly suggests, because before too long, you’re working as a courier, hauling a cooler labeled “HUMAN EYES” through an airport in Hong Kong. One of the most aggressively meta episodes of an already keenly self-aware sitcom, “The Itchy and Scratchie and Poochie Show” is as footnote-able as T.S. The reason the episode works so well is because Homer makes the perfect patsy, of sorts. Few scenes throughout the history of television and movies capture NYC better than the one in which Homer tries to remove the boot on his car by chewing off one of the bolts. NELSON MUNTZ. This doesn’t end well. But high up on the list is lucky. When you’ve been on the air for as long as The Simpsons has been and covered as much territory as The Simpsons has and influenced as much as The Simpsons influenced, it’s hard to find something that feels unique. (Though let’s not forget Ralph’s “Me, fail English? This episode, in which Prohibition is reinstated in Springfield and Homer becomes a bootlegger known as the Beer Baron, pursued by an Elliot Ness-type crime fighter named Rex Banner, is one such episode. Marinating in despair over her unpopularity, she resolves to reinvent herself during a family vacation to a beachside town, amping up the symbolism by bringing along an empty suitcase. The buzz surrounding Em’s impending publication raises some interesting questions re: Sam’s and Sue’s intentions. But it was the Black and White Ball in Munich for his 39th birthday that has to be his most famous party. Was this review helpful to you? Suddenly, all the nonsensical ramblings begin to make sense. When Homer gets online following his purchase, he sets up a website, Mr. X, where he anonymously reveals local gossip. Rather than being lustful or playful, there’s a nervousness and a discomfort about her. EPISODE. Then the gurney is accidentally wheeled into the kindergarten class. It’s a brief friendship, but any time we get to see Nelson’s sensitive side is a winning one. This episode shows that it’s also the best TV show at figuring out how to use them. For decades, the long-running animated series has been spoofing popular movies and shows with their Halloween episodes. Like many classic early episodes, this focuses ruthlessly on its A story and keeps a tight leash on its tone, which might’ve gone from brutally farcical to brutally unpleasant in an instant had a single gag been miscalculated. The third installment, “Nightmare Cafeteria,” reveals that the “Grade F” meat that Lunchlady Doris is serving is made from children who’ve been dropped into a giant blender. “Skinner’s Sense of Snow” turns every kid’s nightmare — attending the only school in your district to remain open during a storm — into a riotous dream. Lisa's friendship with Fat Tony's son Michael prompts mob boss Tony to invite the Simpsons over for dinner. Springfield is a true community — part of the show’s joy is the variety and familiarity of its characters. The pool story shows Lisa (and poor pantsless Martin) how fickle popularity can be, while the Bart plot delivers its own unrelated humor, including a incredible sight gag (Bart’s leg in a trashcan, in a patch of grass, etc.). An atmospheric storm brings giant fast-food and other capitalist mascots to life, and they go on a destructive tear through town. “All’s Fair in Oven War” demonstrates the show’s consistently incredible ability to tell two very different yet completely satisfying tales. We’re going to describe it here for those who have seen it to remember — if you haven’t, skip ahead and come back later. Lisa: “I feel like I’m gonna die, Bart.” Bart: “We’re all gonna die, Lise.” Lisa: “I meant soon.” Bart: “So did I.”. Their relationship nearly falls apart, though, when Homer learns that Quimby’s working with Fat Tony to sell rat “malk” to the children of Springfield Elementary. “Simpsons Roasting on an Open Fire” is a much, much better episode of television than the next seven that aired, which were still grappling with the show’s tone and pacing. And the killer robots. It’s also about how being an adult isn’t all that it’s cracked up to be. Like a lot of Lisa-centric episodes, this one cuts to the heart of a young girl’s struggle to invent an identity for herself without being dishonest about her nature. She played scientist Danielle Rousseau on the ABC series. It’s not often Bart cares about something, but when he does, he’s all in. I keep expecting to get the bum’s rush.” Scorpio: “We don’t have bums in our town, Marge, and if we did, they wouldn’t rush. The training sequence requires Homer’s crew mate Barney to go without booze, unleashing his inner gymnast and opera singer (he performs two lines of the Major General’s song from The Pirates of Penzance; shades of “Cape Feare”), and Homer’s fears of space travel are realized when he opens a bag of smuggled potato chips in zero gravity and causes an Apollo 13–style crisis. Then Marge gets pregnant with Maggie, and he finds himself having to balance his dreams with his responsibilities as a father. Its core is the way that people take their significant others for granted or fail to read and respond to their distress until it’s too late. It’s easy to watch “Homer’s Phobia” now and think the stance the show takes is obvious, but it’s important to remember the time and the audience, many of whom were likely getting their first exposure to gay rights through the show. Great spoof moments abound (Homer’s zero-gravity chip-munching ballet set to “The Blue Danube” is one of the best of The Simpsons’ Stanley Kubrick shout-outs), as do the kind of casually bizarre flourishes that the show does so well. It’s a sweet ending to a sincere episode, one that’s based on something real: We can’t imagine what it’s like to go into space, but we know what it’s like to worry for our loved ones. Although The Simpsons has always been aware of how chaotic the kids’ home lives are, they never really dealt with it on somewhat real terms until this episode, which finds Homer and Marge going away for a spa vacation. In 2000, Patrick Stewart told the BBC, “I think my appearance in The Simpsons and an appearance that I did on Sesame Street … were perhaps the two most distinguished bits of work that I’ve done in the U.S.” Do we agree? That’s right: “Halloween of Horror,” not “Treehouse.” After 27 seasons, the show decided to do an actual Halloween episode. Homer, like the rest of the family, loves John, until he learns he’s gay. E-mail ; Twitter; Facebook Add to Calendar A gala celebrating the 95th birthday of President Russell M. Nelson will be held Friday, September 6, 2019, at 8:00 p.m. mountain daylight time in the Conference Center in Salt Lake City and will be broadcast live in eight languages on various Church channels.. Latter-day Saint performing artists Jenny Oaks Baker … It means nothing to Bart, but weird things begin to happen: Electronic doors won’t open, and he’s even unable to find Itchy & Scratchy funny anymore. The Simpsons Sticker Album 6 Sheets. #1 The Simpsons -BART GIVES NELSON A … Although the multi-layered, mind-bending “Eternal Moonshine” is all about forgetting, it’s an episode whose delightful structure makes it a cinch to remember. Not only is that scene one of The Simpsons’ most notable moments, but the rest of “I Love Lisa”’s charming story line has also found its way into the hearts of fans. After finding a Chanel suit that’s marked down from $2,800 to $90, Marge begins to wear it constantly, including a trip to the Kwik-E-Mart, where she runs into a friend from high school, Evelyn, who’s as rich as she is snotty. From then on, everything goes great for Homer until he realizes something: He wants to lose. All 78 songs featured in The Simpsons Season 18 Soundtrack, listed by episode with scene descriptions. Nelson declares Bart his best friend after Bart is the only child to turn up for his birthday party. “El Viaje Mistierioso” is the one in which homer eats a super chili “grown deep in the jungle by the inmates of a Guatemalan insane asylum.” But replace the chili with a bowl of peyote, or take a bowl of peyote yourself, and you’d get to the same place — a clever and gorgeously drawn episode in which Homer hallucinates a talking coyote (voiced by Johnny Cash) and a Marge with no face. Behind all the Lego bells and Lego whistles is an episode of television about the fundamental experience of being a parent and watching your child grow up. The all-day event on America's birthday features performances from more than 20 artists on two stages, including Willie Nelson & Family, Eric Church, Merle Haggard, Kacey Musgraves, Sturgill Simpson, Asleep At The Wheel, Jamey Johnson, Jason Isbell, Leon Russell, Billie Joe Shaver, Ray Wylie Hubbard, David Allan Coe, Chris Stapleton, Johnny Bush, Insects … And because of the “Treehouse of Horror” tradition, there was just so much material for the writers to pull from in their first foray in joking about the actual holiday. Homer’s a lucky guy. It hasn’t been a thing for a while. Moe is easily The Simpsons’ darkest character, so a lot of comedy and heart can be gotten out of him in the rare instances when something good happens. Terry Cashman’s song “Talkin’ Softball,” which plays over the end credits (a reworked version of his 1981 song “Talkin’ Baseball”) is one of the show’s most iconic, if only because it famously lists all the tragedies that befall the ringers. The most politically loaded episode of the entire series, “Sideshow Bob Roberts” is a masterful examination of how easy it is to convince a lazy, willing nation of, well, pretty much anything. It was a surprisingly good mystery with a perfectly Simpsonian ending. Quimby does, but Fat Tony is quickly freed, and he tries to kill the man who sent him away … at a dinner-theater production of Guys and Dolls starring Mark Hamill. But this impressively adult episode is not about Bart; it’s about the two grown-ups, who bond over their mutual sadness. Ned’s been repressed since childhood, and all the built-up anger came out at once. But it wouldn’t be on this list if that were simply the case. Poochie doesn’t last long, and his demise is brutally funny: Homer’s voice-over cuts off and is replaced by another actor who sounds nothing like him, and we see animators physically ripping away the animation cel that contains the offending canine. Short answer: Homer. Lisa’s need for braces coincides with Mr. Burns’s attempts to take the nuclear-plant union’s dental plan away. To viewers in 1995, when the flash-forward episode “Lisa’s Wedding” first aired, that must have seemed like the impossibly distant future, a future in which The Simpsons probably wasn’t even on TV anymore. If early Simpsons episode were tales about a family (whereas later ones were about a family and a town), “The Way We Was” was the first step in the long road to Bart, Lisa, and Maggie. It’s a disaster. It’s also about so much more, namely Homer and Bart’s relationship, and the bizarre lengths to which Homer will go to in order to teach a fatherly lesson. At home, Marge consoles and encourages Bart to reason with Nelson. Maybe we are just lonely guys who do guy stuff.” What follows is a shockingly moving, 20-second montage (aided by a Sigur Rós score) that features Homer, Moe, Lenny, and Carl sitting and standing in a row with their faces fixed and emotionless as the setting around them changes. Homer becomes a part of traveling music festival, Hullabalooza … as a guy who takes a cannonball to his stomach. It’s reminiscent of The Simpsons Movie in how expansive it feels and how many characters are involved. Best Episodes of The Simpsons (In My Opinion). The results are decidedly sadder, making this episode more somber than most, but Homer redeems himself in a triumphant moment where he rallies up friends to help revive Flanders’s business à la It’s a Wonderful Life. By episode’s end, he’s back with the Simpsons, the best club in town. Already a subscriber? It was always a well-liked episode. The writing and directing effectively show the world both from Bart and Lisa’s eyes, as well as Homer and Marge’s, in the same episode. Some of the jokes are so knowing that they verge on Woody Allen-style cultural-insiderism; when Bart asks Lisa why she knows so much about Judaism, she replies, “I have a Jewish imaginary friend. When a Lego episode was first announced, it was hard not to be skeptical, given how much it felt like a shameless promotional tie-in. It’s this sort of balance of dark and light that makes for such a compelling episode. We’re having waffles!” Lisa: “Ooh, waffles!”). Krusty’s debt, by the way, is $48. Even Homer needs the imagination of Lisa, who’s sent to the power planet for Go to Work With Your Parents Day, to reveal the magic in the mundane — it’s amazing how easily radiation suits can make you feel like you’re an astronaut. “Lisa’s Wedding” is packed with clever allusions to the, um, future, but it’s more concerned with how much one little girl loves her father, no matter how “trying” he is. After Bart chucks her saxophone out the window, Lisa is heartbroken. “It’s not up to us to choose which laws we want to obey. The out-of-nowhere final gag, which sees the family turned inside-out by a creepy blue fog (based on an old-time radio episode), is the grossest touch of all; supposedly producer David Mirkin made a point of upping the violence in this one after network notes warned him that the last few Treehouses had been too bloody. Not only does Allison also know the answers to questions in class and play saxophone like Lisa, she was actually skipped ahead a grade and is better at the instrument. An homage to Rear Window — there are two moments when Bart literally sees a similarly injured Jimmy Stewart staring back at him through his telescope — “Bart of Darkness”’s two plots work hand in hand. “Bob Roberts” (named after the Tim Robbins movie) is packed with decades of references — including one to the Kennedy vs. Nixon debate, with Bob ably filling in for JFK — yet it’s never bogged down by dated satire. Throughout Springfield and all over its airwaves, people are talking about the mysterious Gabbo, who’s eventually revealed to be a kid’s-show host: a ventriloquist’s dummy whose aggressively outré antics and addictive catchphrase “I’m a bad widdle boy!” dampen Krusty’s ratings and move the network to cancel him. The only problem is that Bart saw it all happen, so the couple bribes him to keep his mouth shut and to serve as a go-between. On December 5th, Nelson Mandela passed away. The final shot — a roll call of future public-works scandals, confirming that Springfield learned nothing from this disaster — is oddly poignant. Kudos to the show for not pulling any punches here. The final story is an exercise in pure silliness that plays like an animated “Shouts and Murmurs” column, but it has a sting: Even after Homer crashes a spaceship into the Capitol and tells the world that “Bob Dole” and “Bill Clinton” are actually tentacled space aliens, the public is told that it has to choose one of them anyway because it’s a two-party system. Eventually, they badger their parents into taking them to the most violent place on Earth, Itchy & Scratchy Land. There she sees her local congressman take a bribe to raze a forest in Springfield. Unlike most sitcoms, there is no one structure for a I episode: An episode could have one story, two, three, 22. But “Duffless” finally calls him on the carpet for it. Anything but. FIGHT!” upon finding out Bart and Lisa will square off in a match. “This punishment is not boring and pointless,” Bart writes on the chalkboard at the start of “Kamp Krusty,” foreshadowing miseries to come. This time, after paying off all his debts, he quits the power plant to work at a bowling alley. Margeencourages Bart to reason with Nelson, but Homerurges him to bend the rules and fight dirty. Full Story. The Planet Earth channel is its hidden gem. It perfectly captures the idea of men having “side-by-side” friendship, in which, instead of talking to each other, they simply take part in the same activities next to each other. Increasingly ridiculous — from Roger Clemens thinking he’s a chicken to Ken Griffey Jr.’s gigantism to Ozzie Smith falling into space for all eternity — the misfortunes offered a specific weirdness that would come to define the show after season five. It becomes increasingly apparent to Homer how frustrating and isolating the world is for intelligent people. This is one of the series’ flat-out funniest episodes, and as delightful as the broad bits are (the finale prompts the Don to tell Homer, “You’ve brought great-a joy to this old Italian stereotype!”), the subtle moments of body language and expression are even funnier. It’s uncharacteristically reserved, and its final sequence — which finds Homer realizing some of his flaws as a dad and reaching out to his daughter to the extent that he can — is genuinely touching. It’s the highbrow, medium-brow, lowbrow mixture that we look for in the best episodes. Here, Abe’s disorienting rambles drive people away, but it’s an attribute that earns him the spotlight in many other memorable episodes. After doting on a lamb at a petting zoo, Lisa decides she’s done eating meat; everyone in town, including her own family, ridicules or resists her. Dave Chappelle Tests Positive For COVID-19, Cancels Texas Shows. Although The Simpsons was always less worried about continuity than most TV shows, “Behind the Laughter” set a new standard. An extended parody of James Bond in general and You Only Live Twice in particular, this is an almost entirely absurd episode that gins up world-changing events so that they can be forgotten the following week. Still, “$pringfield” is best known as the episode in which Mr. Burns goes full Howard Hughes, in what is seriously one of the show’s craziest, silliest arcs ever. While viewers get a better insight into Apu’s life and commitment to his work, it is ultimately Homer who incites the adventures. It’s an ingenious way of connecting the first act to the third, making “Mayored to the Mob” feel more conceptually complete than other “Homer gets a new job” episodes. The Simpsons is getting a Pixar-style makeover for a segment in this year's annual Treehouse of Horror XXXI episode, as seen in some early sneak peek images. It’s easy to forget how big of a deal the “Who Shot Mr. Burns?” series was when it aired. This year, the show will be tackling Toy Story with one of its parodies, and the segment has … You must be a registered user to use the IMDb rating plugin. The year is 2010. In an attempt to boost public interest in the space program, NASA decides to send an ordinary person — Homer Simpson, natch — into space alongside astronauts Race Banyon and Apollo 11 astronaut Buzz Aldrin, giving the writers of The Simpsons a golden opportunity to make every science-fiction joke imaginable. One of the most quotable Simpsons ever — a bold statement, admittedly — “Radioactive Man” stirs together an astounding number of The Simpsons’ ongoing obsessions, including jealousy between friends, comic-book mania, shifting pop-culture styles (apparently, the old Radioactive Man TV series is modeled on the 1960s Adam West Batman), and the way Hollywood warps innocence (Moe recalls his agonizing stint as a Little Rascal named “Smelly”). Homer isn’t particularly political; he’s just reactionary and, well, stupid. In its original run, the episode received 8.29 million viewers. However, when Apu gets busted for selling expired meats — primarily to Homer — and is subsequently fired, he is suddenly thrust outside those confines. “Now hold on a minute, missy,” he tells Marge. The lesson here is that it’s better to die in peace than to live in disharmony. Except for that. Lisa’s battle with the sexist Malibu Stacy doll company may be permanently stalled when her rival doll is dropped in favor of a last-minute hat upgrade, but it still results in Lisa’s strongest feminist statement on the show yet. Instead of making her a flirty, seductress, the writers make her very real — she’s caught off guard by the situation just as much as Homer is. Beyond Mindy, the episode succeeds in not selling Homer out, by letting him honestly feel the temptation. #1 The Simpsons -BART GIVES NELSON A NOSEBLEED?!? Apparently, the family got into showbiz by producing a pilot for the show we’re now watching, then became hugely successful, squabbled over money, split up, and did whatever they had to do to pay the bills before finally reuniting at the Iowa State Fair. In the season-seven premiere, Lisa worked with Chief Wiggum to find the culprit, parodying Twin Peaks along the way. Ned Flanders is a perpetual winner in the world of The Simpsons. A rare Simpsons installment with an explicit and unmistakable political agenda, “Lisa the Vegetarian” closed with Lisa still a vegetarian, and she remained steadfast in her belief throughout the run of the series to date. “Bart on the Road” tweaks the trope, though, by ditching the coming-of-age nonsense and replacing it with something completely absurd — a story about Nelson threatening to beat up Bart, Milhouse, and Martin if they don’t go to an Andy Williams concert (“Bam, second encore!”). The Simpsons may live in America’s Crud Bucket, but it’s THEIR crud bucket. Willie: Life & Songs Of An American Outlaw featured star-studded performances by Willie Nelson, Alison Krauss, The Avett Brothers, Bobby Bare, Chris Stapleton, Dave Matthews, Emmylou Harris, Eric Church, George Strait, Jack Johnson, Jamey Johnson, Jason Isbell, Jimmy Buffett, John Mellencamp, Kris Kristofferson, Lee Ann Womack, Lukas Nelson, Lyle Lovett, Margo Price, Micah Nelson… Though it’s always implied that Homer and Marge have a solid sex life (or “snuggle life,” as Marge would likely call it), “Natural Born Kissers” foregrounds that assumption when the couple reignites their lost spark by realizing they like to do it in public. Itchy & Scratchy Land: where nothing can possi-blye go wrong. It was actually the eighth. Turns out the dish-detergent product Mr. Sparkle’s logo was actually just a coincidental combination of a fish and a lightbulb (or “fish-bulb,” as Bart calls Homer), but its preposterous story line has since created one of the show’s most iconic images, next to the “I Choo-Choo-Choose You” Valentine and the Inanimate Carbon Rod. The show wanted to create an event around its season-six cliff-hanger, and it did just that. Marge and Homer are making love in their bedroom while playing a tape of their arguments so the kids will not come in. He seems perfectly content living the sex, drugs, and rock ’n’ roll lifestyle, minus the sex and drugs, in “How I Spent My Strummer Vacation.” After receiving a one-week crash course in rock from Mick Jagger, Keith Richards, Tom Petty, Lenny Kravitz, Elvis Costello, and Brian Setzer, Homer scores a gig opening for the assembled musicians at a benefit show. 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